It is usually said that details make the difference. Yes, but it is not clear whether these items are those precise, in some way discounted, or those who – only apparently – seem to have been created by the case. In Max.Tan collection for autumn – winter 2017, dominating the scene is the latter.
Although the basis of all the collections of the Singapore brand is the same, ie from the basic idea makes it something personal and unpublished, every time a note going to characterize it is added. In this case the focus is on the aesthetics of origami and the lines and shapes that animate it. The art of folding Japanese paper, which has ancient origins dating back to 1300, lends itself to interesting effect combinations in the collection of Max.Tan, creating new shades and different architectures, all linked by a dichotomous game where participate colors and materials such as optical white, black ink and the blue navy.
The results arising from this conception, translate concretely in seams processed so as to create a natural crease. This, thus achieve a spontaneous fall of the tissues that are held together by self-linked ribbons. Symbolically, like origami, the cocoon silhouette that results is in delicate appearance, and this aspect is emphasized by the subtle fringes placed on clothing. But in reality, it is strengthened by clothes who combine both the female that the male wardrobe: the trench coat on all.
These effects, in fact, unnecessary detail, are the ones that go to change the perspective of the entire collection, which would otherwise have been a replica of the unisex movement so much in vogue. the latter current, this being the stylistic brand figure, but with more female tones, less drastic. Contemporaries.
ph: press office
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